Intern
    Anglistik und Amerikanistik

    Prof. Dr. Jochen Achilles - Publications

    Monographs/Bücher

    Drama als problematische Form: Der Wandel zu nichtrealistischer Gestaltungsweise im Werk Sean O'Caseys. Regensburger Arbeiten zur Anglistik 14. Frankfurt/Bern: Lang, 1979. Review/Rezension: Heinz Kosok. Irish University Review 10.1 (1980): 162-165.
    Abstract: English and American Studies in German: Summaries of Theses and Monographs. Tübingen: Max Niemeyer, 1979. 85-87.

    Sheridan Le Fanu und die schauerromantische Tradition: Zur psychologischen Funktion der Motivik von Sensationsroman und Geistergeschichte. Studies in English and Comparative Literature 7. Tübingen: Gunter Narr, 1991. Reviews/Rezensionen: Rüdiger Imhof. Irish Literary Supplement 12.1 (1992): 38. Hans-Ulrich Mohr. Arbeiten aus Anglistik und Amerikanistik 18.2 (1993): 278-283. Arno Löffler. Anglia 112.3/4 (1994): 551-554.
    Abstract: English and American Studies in German: Summaries of Theses and Monographs. Tübingen: Max Niemeyer, 1988. 71-72.

    Editions/Herausgegebene Bücher

    Irische Dramatiker der Gegenwart. Ed. Jochen Achilles und Rüdiger Imhof. Darmstadt: Wissenschaftliche Buchgesellschaft, 1996. Reviews/Rezensionen: Ansgar Nünning. Literatur in Wissenschaft und Unterricht. 30.1 (1997): 87-88. Massimo Bertoldi. Drammaturgia 4 (1997): 212. Thomas Rothschild. Medienwissenschaft 4 (1997): 466-467. Werner Huber. Anglistik. 9.2 (1998): 165-167. Barbara Freitag. Archiv für das Studium der neueren Sprachen und Literaturen. 236. Band. 151. Jahrgang. 1/1999: 214-216.

    (Trans)Formations of Cultural Identity in the English-Speaking World. Ed. Jochen Achilles and Carmen Birkle. Heidelberg: Universitätsverlag Winter, 1998. Reviews/Rezensionen: Heike Paul. Amerikastudien/American Studies 46.1 (2001): 155-158. Andrew Murphy. Bryn Mawr Review of Comparative Literature 1.1 (Summer 1999): n.p. Christoph Irmscher. American Literary Scholarship: An Annual 1998. Ed. David J. Nordloh. Durham and London: Duke UP, 2000. n.p. Tobias Döring. Anglia 118.4 (2000): 641-644. Benedikt Stuchtey. Research on British History in the Federal Republic of Germany, 1998-2000: An Annotated Bibliography. Ed Regina Pörtner. London: German Historical Institute London, 2002. 9-10.

    Global Challenges and Regional Responses in Contemporary Drama in English. Ed. Jochen Achilles, Ina Bergmann, and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2003.
    Rezensionen: Kurt Müller. Amerikastudien/American Studies 50.1/2 (2005): 318-320. Stefan Horlacher. Anglistik 16.1 (2005): 166-168.

    Representations of Evil in Fiction and Film. Ed. Jochen Achilles and Ina Bergmann. Anglistik – Amerikanistik – Anglophonie. Vol. 11. Trier: Wissenschaftlicher Verlag Trier, 2009.

    Liminale Anthropologien: Zwischenzeiten, Schwellenphänomene, Zwischenräume in Literatur und Philosophie. Ed. Jochen Achilles, Roland Borgards und Brigitte Burrichter. Würzburg: Königshausen & Neumann, 2012.

    Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. Ed. Jochen Achilles and Ina Bergmann. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, 2015.

    Contributions to Journals/Zeitschriftenbeiträge

    1. "The Charwoman's Daughter and the Emergence of a National Psychology." Irish University Review 11.2 (1981): 184-197.

    2. "Donald Barthelme's Aesthetic of Inversion: Caligari's Come-Back as Caligari's Leave-Taking." The Journal of Narrative Technique 12/2 (1982): 105-120.

    3. "George Fitzmaurice's Dramatic Fantasies: Wicked Old Children in a Disenchanting Land." Irish University Review 15.2 (1985): 148-163.

    4. "'The Glame from that Ould Lamp': The Unity of George Fitzmaurice's Plays." Éire-Ireland 20.4 (1985): 106-129.

    5. "Die Paradiesvorstellung von der Versöhnung des Menschen mit der Natur: Literaturgeschichtliche Betrachtungen zu einem Aspekt des amerikanischen Traumes." Amerikastudien/American Studies 35.2 (1990): 203-218.

    6. "Autorenporträt: Charles Brockden Brown (1771-1810)." Corvey-Journal 4.2 (1992): 18-22.

    7. "Religious Risk in the Drama of Contemporary Ireland." Éire-Ireland 28.3 (1993): 17-37.

    8. "Edgar Allan Poe's Dreamscapes and the Transcendentalist View of Nature." Amerikastudien/American Studies 40.4 (1995): 553-573.

    9. "'Homesick for Abroad': The Transition from National to Cultural Identity in Contemporary Irish Drama." Modern Drama 38.4 (Winter 1995): 435-49.

    10. "The Study of British Regions from Germany: Irish Studies in Germany, or, On the Inside and On the Outside of British Culture." Journal for the Study of British Cultures 2.2 (1995): 201-208.

    11. "(R)evolution versus Repetition: Concepts of History and Perspectives of Cultural Change in Irish Drama." Anglistik: Mitteilungen des Verbandes Deutscher Anglisten 7.2 (1996): 39-47.

    12. "Religion in der irischen Kultur der Jahrhundertwende." Literaturwissenschaftliches Jahrbuch im Auftrage der Görres-Gesellschaft 37 (1996): 193-210.

    13. "Composite (Dis)Order: Cultural Identity in Wieland, Edgar Huntly, and Arthur Gordon Pym." 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 3 (1997): 251-270.

    14. "Edgar Allan Poe's Melting Pot: Skeptical Soundings of Cultural Composition." Anglia 115.3 (1997): 352-374.

    15. "Purgers and Montaged Men: Masculinity and Identity in the Fiction of Hawthorne and Poe." Themenheft von Amerikastudien/American Studies. 43.4 (1998): 577-592.

    16. "Allegory and Iconography in African American Drama of the Sixties: Imamu Amiri Baraka's Dutchman and Alice Childress's Wine in the Wilderness." Amerikastudien/American Studies 45.2 (2000): 219-238.

    17. "Postmodern Aesthetics and Postindustrial Economics: Games of Empire in Suzan Lori Parks's Topdog/Underdog." South Atlantic Review 75.3 (2010): 11-24.

    Contributions to Books/Buchbeiträge

    1. "Sean O'Casey's and Denis Johnston's National Plays." Studies in Anglo-Irish Literature. Ed. Heinz Kosok. Bonn: Bouvier, 1982. 269-277.

    2. "Wirklichkeitsspaltung, Liebeswunsch und Todesnähe in der Dichtung John Silkins." Britische Lyrik der Gegenwart. Ed. Iain Galbraith. Mainz: edition forum, 1984. 275-284.

    3. "Transformations of the Stage Irishman in Irish Drama: 1860-1910." National Images and Stereotypes. 103-114. Vol. 3 of Literary Interrelations: Ireland, England and the World. Ed. Wolfgang Zach and Heinz Kosok. Tübingen: Gunter Narr, 1987.

    4. "Sheridan Le Fanu und die stereotype Wiederkehr des Verdrängten." Erstarrtes Denken: Studien zu Klischee, Stereotyp und Vorurteil in englischsprachiger Literatur. Ed. Günther Blaicher. Tübingen: Gunter Narr, 1988. 197-210.

    5. "Von der Moderne zur Postmoderne: Zu den Entstehungsbedingungen einer neuen Ästhetik." Der zeitgenössische amerikanische Roman. Ed. Gerhard Hoffmann. Vol. 2. München: Wilhelm Fink, 1988. 3 vols. 7-30.

    6. "Donald Barthelme: 'In Search of a New Principle'." Der zeitgenössische amerikanische Roman. Ed. Gerhard Hoffmann. Vol. 3. München: Wilhelm Fink, 1988. 3 vols. 40-59.

    7. "Washington Irving, 'The Legend of Sleepy Hollow': Ein prekärer amerikanischer Traum vom guten Leben." Die englische und amerikanische Kurzgeschichte. Ed. Klaus Lubbers. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990. 1-11.

    8. "Sean O'Faolain's 'Unholy Living and Half Dying' im Lichte von James Joyce's 'Grace'." Die englische und amerikanische Kurzgeschichte. Ed. Klaus Lubbers. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990. 293-314.

    9. "James Plunkett." Contemporary Irish Novelists. Ed. Rüdiger Imhof. Tübingen: Gunter Narr, 1990. 41-58.

    10. "Self-Determination and Self-Doubt in American Short Fiction of the Early Nineteenth Century." Anglistentag 1990: Proceedings. Ed. Claus Uhlig and Rüdiger Zimmermann. Tübingen: Max Niemeyer Verlag, 1991. 507-518.

    11. "Intercultural Relations in Brian Friel's Works." The Internationalism of Irish Literature and Drama. Ed. Joseph McMinn. Gerrards Cross, Bucks.: Colin Smythe, 1992. 3-15, 327-328.

    12. "Fantasy as Psychological Necessity: Sheridan Le Fanu's Fiction." Gothick Origins and Innovations. Ed. Allan Lloyd Smith and Victor Sage. Amsterdam/Atlanta, GA: Rodopi, 1994. 150-168.

    13. "Religion in Modern Irish Drama: Social Criticism and Spiritual Reorientation." Anglistentag 1993 Eichstätt: Proceedings. Ed. Günther Blaicher and Brigitte Glaser. Tübingen: Niemeyer, 1994. 459-470.

    14. "The Change of Paradigms and the Return of the Repressed in Tom Murphy's Drama." Insulae/Islands/Ireland: The Classical World and the Mediterranean. Ed. and Intr. Guiseppe Serpillo and Donatella Badin. Universita di Sassari: Tema, 1996. 79-86.

    15. "Tom Murphy." Irische Dramatiker der Gegenwart. Ed. Jochen Achilles und Rüdiger Imhof. Darmstadt: Wissenschaftliche Buchgesellschaft, 1996. 71-95.

    16. "J. Graham Reid." Irische Dramatiker der Gegenwart. Ed. Jochen Achilles und Rüdiger Imhof. Darmstadt: Wissenschaftliche Buchgesellschaft, 1996. 96-112.

    17. "Dermot Bolger's Drama and the Reality of Europe." Drama and Reality. Ed. Uwe Böker. Contemporary Drama in English 3. Trier: WVT, 1996. 59-71.

    18. Ed. and contr. "Workshop: Teaching Utopian Fiction - A Contribution to Cultural Studies." Anglistentag 1995 Greifswald: Proceedings. Ed. Jürgen Klein und Dirk Vanderbeke. Tübingen: Niemeyer 1996. 438-451.

    19. "In and Out of the Funhouse: Emotion in Postmodernism and Postcolonial Drama." Emotion in Postmodernism. Ed. Gerhard Hoffmann and Alfred Hornung. Heidelberg: Universitätsverlag Winter, 1997. 123-146.

    20. "Conceptualizing Cultural Identities." (Trans)Formations of Cultural Identity in the English-Speaking World. Ed. Jochen Achilles and Carmen Birkle. Heidelberg: Universitätsverlag Winter, 1998. 1-13.

    21. "The Blues as Metaphor and Theme: African American Identity in August Wilson's Plays." Twentieth-Century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th Birthday. Trier: WVT, 1999. 751-771.

    22. "Alan Sillitoe: The Fishing-boat Picture." Interpretationen: Englische Short Stories von Thomas Hardy bis Graham Swift. Ed. Raimund Borgmeier. Stuttgart: Philipp Reclam, 1999. 232-245.

    23. "Besieged Sleepy Hollows in Transatlantic Perspective: Identity Construction and Contestation in Washington Irving's The Sketch Book." The Construction and Contestation of American Cultures and Identities in the Early National Period. Heidelberg: Universitätsverlag Winter, 1999. 119-136.

    24. "Donald Barthelme's Aesthetic of Inversion: Caligari's Come-Back as Caligari's Leave-Taking." Originally in: The Journal of Narrative Technique 12/2 (1982): 105-120. Reprinted in: Contemporary Literary Criticism 115 (Detroit: Gale, 1999) 65-71.

    25. "Men of the Crowd: The Challenge of Urbanization and Negotiations of National Identity in Antebellum Short Stories." Negotiations of America's National Identity. Ed. Roland Hagenbüchle and Josef Raab. Tübingen: Stauffenburg, 2000. 104-130.

    26. "The Technological Imagination and the Antebellum American Short Story." Early America Re-Explored: New Readings in Colonial, Early National, and Antebellum Culture. Ed. Klaus H. Schmidt and Fritz Fleischmann. New York: Peter Lang, 2000. 505-536.

    27. "African American Drama and Interracial Negotiations in 1964: James Baldwin's Blues for Mister Charlie, Adrienne Kennedy's Funnyhouse of a Negro, and Imamu Amiri Baraka's The Slave. English Literatures in International Contexts. Ed. Heinz Antor and Klaus Stierstorfer. Heidelberg: Winter, 2000. 201-219.

    28. "Brian Friel". Philadelphia, Here I Come!" Lektüren für das 21. Jahrhundert: Schlüsseltexte europäischer Literatur – England, Frankreich, Irland, Italien, Portugal, Rußland. Ed. Martha Kleinhans und Klaus Stierstorfer. Würzburg: Königshausen und Neumann, 2001. 1-26.

    29. "Fin de Siècle – Fin des Grandes Villes? The Reprimitivization of Urban Culture in Premodern British and Postmodern American Fiction" Postmodernism and the Fin de Siècle. Ed. Gerhard Hoffmann and Alfred Hornung. Heidelberg: Universitätsverlag C. Winter, 2001. 141-161.

    30. "Fay Weldon's Darcy's Utopia and the Utopian Tradition." Engendering Realism and Postmodernism: Contemporary Women Writers in Britain. Ed. Beate Neumeier. Amsterdam/New York: Rodopi 2001. 129-143.

    31. "Global Challenges and Regional Responses in Contemporary Drama in English – An Introduction." Global Challenges and Regional Responses in Contemporary Drama in English. Ed. Jochen Achilles, Ina Bergmann, and Birgit Däwes. Trier: Wissenschaftlicher Verlag Trier, 2003. 9-27.

    32. "Monkey Business in Intercultural and Intertextual Perspective: Species- and Ethnos-Orientation in Poe's 'The Murders in the Rue Morgue,' Le Fanu's 'Green Tea,' and Spofford's 'Circumstance.'" POEtic Effect and Cultural Discourses. Ed. Hermann Josef Schnackertz. Heidelberg: Winter, 2003. 1-32.

    33. "Monkey Business in Intercultural and Intertextual Perspective: Species- and Ethnos-Orientation in Poe's 'The Murders in the Rue Morgue,' Le Fanu's 'Green Tea,' and Spofford's 'Circumstance.'"  Reprinted in: Animal Magic: Essays on Animals in the American Imagination. Ed. Jopi Nyman and Carol Smith. University of Joensuu Studies in Literature and Culture 11. Joensuu, Finland, 2004. 21-54.

    34. ''Models of Multiculturalism and their Metaphorization in American and European Drama." The Cultural Shuttle: The United States of/in Europe. Ed. Véronique Béghain and Marc Chénetier with the collaboration of Jean-Paul Gabilliet. Amsterdam: VU University P, 2004. 25-52.

    35. "The Subject-Object Paradigm: Conflict and Convergence in Theories of Landscape, Consciousness, and Technoscape Since Emerson and Thoreau." Space in America: Theory, History, Culture. Ed. Klaus Benesch and Kerstin Schmidt. Amsterdam/New York: Rodopi, 2005. 53-90.

    36. "Tom Stoppard's Indian Ink (1995) and American Drama: Interethnic Contestations and Reconciliations." Cultural Interactions: Fifty Years of American Studies in Germany. Ed. Ulla Haselstein and Berndt Ostendorf. Heidelberg: Winter, 2005. 101-120.

    37. "Angels in America, Devils in Germany: Tony Kushner's Aesthetic of Redeemable Evil." Literary Views on Post-Wall Europe. Ed. Christoph Houswitschka, Anna-Christina Giovanopoulos, Edith Hallberg, and Annette Pankratz. Trier: WVT, 2005. 295-317.

    38. "Brian Friel, Translations (1981)." Drama. Susanne Peters, Klaus Stierstorfer, Laurenz Volkmann (Eds.). Vol I. Trier: WVT, 2006. 121-143.

    39. "Dismantling the Promised Land: Ironies of Environmental Identity Constitution in Mark Twain's 'Baker's Blue Jay Yarn' (1880) and Hamlin Garland's 'Under the Lion's Paw' (1888)." Irony Revisited: Spurensuche in der englischsprachigen Literatur. Festschrift für Wolfgang G. Müller. Ed. Thomas Honegger, Eva-Maria Orth, Sandra Schwabe. Würzburg: Königshausen und Neumann, 2007. 315-332.

    40. "Staging the Commodification of Ethnicity: Intercultural America and Contemporary Irish Drama." Intercultural America. Ed. Alfred Hornung, Winfried Herget, Klaus Lubbers. Heidelberg, Winter: 2007. 323-347.

    41. Together with Ina Bergmann. "Introduction." Representations of Evil in Fiction and Film. Ed. Jochen Achilles and Ina Bergmann. Trier: Wissenschaftlicher Verlag Trier, 2009. 1-7.

    42. "Mapping Out (Post)modern Ethics: Heterotopias of Good and Evil." Representations of Evil in Fiction and Film. Ed. Jochen Achilles and Ina Bergmann. Trier: Wissenschaftlicher Verlag Trier, 2009. 9-37.

    43. "Representations of the Devil: Development in History and Destabilization in the American Renaissance." Representations of Evil in Fiction and Film. Ed. Jochen Achilles and Ina Bergmann. Trier: Wissenschaftlicher Verlag Trier, 2009. 39-62.

    44. "Sinnentleerung des Satanischen und Satanisierung der Modernität: Mark Twains No. 44, The Mysterious Stranger (1908)." "My Age Is As a Lusty Winter": Essays in Honour of Peter Erlebach und Thomas Michael Stein. Ed. Bernhard Reitz. Trier: Wissenschaftlicher Verlag Trier, 2009. 3-14.

    45. "The Synchronicity of the Modern and the Postmodern: Eugene O'Neill's Representations of Blackness and the African American Drama of August Wilson and Suzan-Lori Parks." Representation and Decoration in a Postmodern Age. Ed. Alfred Hornung and Rüdiger Kunow. Heidelberg: Winter, 2009. 211-234.

    46. "Internalisierter Rassismus im expressionistischen Drama: Adrienne Kennedys Funnyhouse of a Negro (1964)." Das neuere amerikanische Drama: Autoren – Entwicklungen – Interpretationen. Ed. Herbert Grabes and Klaus Schwank. Trier: Wissenschaftlicher Verlag Trier, 2009. 13-25.

    47. "Transcultural Trajectories, Interethnic Inequality, and African American Theatre: Loften Mitchell's and Alice Childress's Intermedial Plays." From Interculturalism to Transculturalism: Mediating Encounters in Cosmopolitan Contexts. Ed. Heinz Antor, Matthias Merkl, Klaus Stierstorfer, Laurenz Volkmann. Heidelberg: Winter 2010. 163-192.

    48. "'Does Reshuffling the Cards Change the Game?' Structures of Play in Suzan-Lori Parks's Topdog/Underdog." Suzan-Lori Parks: Essays on the Plays and Other Works. Ed. Philip C. Kolin. Jefferson, NC: McFarland, 2010. 103-23.

    49. "Constructions and Contestations of Home in African American Theater." Constructions of Home: Interdisciplinary Studies in Architecture, Law, and Literature. Ed. Klaus Stierstorfer. New York: AMS Press, 2010. 117-131.

    50. "J. Graham Reid." The Methuen Drama Guide to Contemporary Irish Playwrights. Ed. Martin Middeke and Peter Paul Schnierer. London: Methuen, 2010. 405-422.

    51. "Postmodernist Metafiction: John Barth's 'Lost in the Funhouse' and Donald Barthelme's 'The Glass Mountain' and 'The Balloon'." A History of the American Short Story: Genres – Developments – Model Interpretations. Ed. Michael Basseler and Ansgar Nünning. Trier: WVT, 2011. 341-357.

    52. "Liminalität und Heterotopie: Grundstrukturierungen amerikanischer Erzählliteratur." Liminale Anthropologien: Zwischenzeiten, Schwellenphänomene, Zwischenräume in Literatur und Philosophie. Ed. Jochen Achilles, Roland Borgards und Brigitte Burrichter. Würzburg: Königshausen & Neumann, 2012. 145-160.

    53. "Transnational Ireland and Elizabeth Kuti's Drama." Anglistentag 2012 Potsdam: Proceedings. Ed. Katrin Röder und Ilse Wischer. Trier: WVT, 2013. 21-33.

    54. Together with Ina Bergmann. "Richard Greenberg." The Methuen Guide to Contemporary American Playwrights. Ed. and intr. Martin Middeke, Peter Paul Schnierer, Christopher Innes  and Matthew C. Roudané. London: Bloomsbury Methuen Drama, 2014. 39-57.

    55. Together with Ina Bergmann. "'Betwixt and Between': Boundary Crossings in American, Canadian, and British Short Fiction." Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. Ed. Jochen Achilles and Ina Bergmann. Routledge Interdisciplinary Perspectives on Literature. London: Routledge, 2015. 3-31.

    56. "Modes of Liminality in American Short Fiction: Condensations of Multiple Identities." Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. Ed. Jochen Achilles and Ina Bergmann. Routledge Interdisciplinary Perspectives on Literature. London: Routledge, 2015. 35-49.

    57. "Real Machines in Imaginary Gardens: Leo Marx's The Machine in the Garden and Environmental Liminality in Flannery O'Connor's 'A View of the Woods.'" Rural America. Ed. Antje Kley and Heike Paul. Heidelberg: Winter, 2015. 207-225.

    58. "Bewusstseinsspaltung und Gesellschaftskritik in amerikanischer Fiktion: Von Edgar Allan Poe bis Bret Easton Ellis." Sammelband Ringvorlesung WahnSinn in Literatur und Künsten, Universität Würzburg WS 2013/14. Forthcoming.

    Contributions to Reference Works/Lexikonartikel

    "Sam Shepard, Goldener Westen" in: Lexikon der Weltliteratur. Ed. Gero von Wilpert. Bd. 2: Werke. 3rd. Ed. Stuttgart: Kröner, 1993.

    Research Reports/Sammelrezensionen

    "Studien zum Werk Donald Barthelmes." Rev. of Recent Barthelme Criticism. Amerikastudien/American Studies 29.4 (1984): 471-474.

    Reviews/Rezensionen

    Rev. of Paycocks and Others: Sean O'Casey's World, by Bernard Benstock. Kritikon Litterarum 8 (1978): 76-78.

    Rev. of Sean O'Casey und das deutschsprachige Theater, by Peter Stapelberg. Kritikon Litterarum 10 (1981): 92-94.

    Rev. of The Story of Identity: American Fiction of the Sixties, by Manfred Pütz. Amerikastudien/American Studies 26.1 (1981): 101-105.

    "Critical Commentary on O'Casey." Rev. of O'Casey the Dramatist, by Heinz Kosok. Irish Literary Supplement 7.1 (1988): 22.

    "'Playboy' for German Teens." Rev. of The Playboy of the Western World: Edition and Notes, by Rüdiger Imhof. The Irish Literary Supplement 8.2 (1989): 8.

    Rev. of 'America': Dream or Nightmare? Reflections on a Composite Image, by Peter Freese. Amerikastudien/American Studies 36/4 (1991): 569-571.

    Rev. of Geschichte der anglo-irischen Literatur, by Heinz Kosok. Archiv für das Studium der neueren Sprachen und Literaturen 230/145 (1993): 186-190.

    Rev. of Donald Barthelme als postmoderner Erzähler: Poetologie, Literatur und Gesellschaft, by Alexander Folta. Amerikastudien/American Studies 39.4 (1994): 626-628.

    Rev. of Plays and Playwrights from Ireland in International Perspective, by Heinz Kosok. Anglistik: Mitteilungen des Verbandes Deutscher Anglisten 7.2 (1996): 49-52.

    Rev. of Das Klischee: Reproduzierte Wirklichkeiten in der englischen und amerikanischen Literatur, by Rüdiger Kunow. Amerikastudien/American Studies 43.1 (1998): 185-189.

    Rev. of Hinab in den Maelstrom: Das Mysterium der Katastrophe im Werk Edgar Allan Poes, by Ulrike Brunotte. Amerikastudien/American Studies 44.1 (1999): 188-189.

    Rev. of Die Macht der Vergangenheit: Einführung in Leben und Werk August Wilsons, by Thomas Leuchtenmüller. Amerikastudien/American Studies 44.4 (1999): 608-610.

    Rev. of Re-Visioning the Past: Historical Self-Reflexivity in American Short Fiction, ed. by Bernd Engler and Oliver Scheiding. Anglia 120.4 (2002): 630-635.

    Rev. of The Art of Lennox Robinson: Theoretical Premises and Theatrical Practice, by Hartmut Vormann. Anglistik 14.2 (2003): 174-177.

    Rev. of The Encyclopaedia of Ireland, ed. by Brian Lalor. Anglia 123.4 (2005): 783-86.

    Rev. of Das amerikanische Drama: Eine Einführung, by Kurt Müller and Staging Separate Spheres: Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910-1930, by Susanne Auflitsch. Anglistik 19.1 (2008): 218-225.

    Translations/Übersetzungen

    Elmer Andrews. "Stewart Parker." Irische Dramatiker der Gegenwart. Ed. Jochen Achilles und Rüdiger Imhof. 113-129.

    Lynda Henderson und William Wylie. "'Northern Voices' im irischen Gegenwartsdrama. Irische Dramatiker der Gegenwart. Ed. Jochen Achilles und Rüdiger Imhof. 145-161.

    Miscellanies/Miszellen

    With Klaus Lubbers. "American Studies in Europe (1981-1983): Germany." European Association for American Studies: Annual Report. (1983). n.p.

    "Workshop: Teaching Utopian Fiction - A Contribution to Cultural Studies." Anglistik: Mitteilungen des Verbandes Deutscher Anglisten. 6.1 (1995): 70-71.

    "Conference Report: (Trans)Formations of Cultural Identity in the English-speaking World." Anglistik: Mitteilungen des Verbandes Deutscher Anglisten. 6.2 (1995): 163-164.

    "International Conference: (Trans)Formations of Cultural Identity in the English-Speaking World." Amerikastudien/American Studies 40.3 (1995): 521-522.

    "Klaus Lubbers, Mainz, on the Occasion of His Sixtieth Birthday." Anglistik: Mitteilungen des Verbandes Deutscher Anglisten. 6.2 (1995): 199-201.

    Contribution to PMLA - Forum on "PMLA Abroad." Publications of the Modern Language Association of America (PMLA) (October 1998): 1122-1133.

    "Habilitationspreis des Deutschen Anglistenverbandes 1998 in Erfurt: Laudatio auf Dr. Mario Klarer" Anglistik 10.1 (1999): 34-39.

    "Brian Friel at Seventy in German Perspective." Anglistik 10.2 (1999): 125-128.

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